Check out The Boston Globe’s sterling review of the new album saying “this collection, featuring various artists mostly from the indie-rock realm, is surprisingly effective at dismantling love songs and reimagining them in fresh contexts.”
Cover songs with heart, soul on ‘Sweetheart 2014’
By James Reed | GLOBE STAFF | FEBRUARY 10, 2014
Right on time for Valentine’s Day soundtracks, “Sweetheart 2014” banks on a tried-and-true conceit: We love cover songs. And this collection, featuring various artists mostly from the indie-rock realm, is surprisingly effective at dismantling love songs and reimagining them in fresh contexts.
Too often artists who interpret songs treat the originals with so much reverence that they end up making carbon copies. Not so with this new compilation out on Hear Music, the Starbucks-affiliated label.
Ben Harper cuts through the haze of Mazzy Star’s “Fade Into You,” setting it against ghostly piano and a plaintive, stark vocal that gets right to the heart of the tearjerker. Also on piano, with two female backup singers cooing in the distance, Bahamas makes “Always on My Mind,” popularized by Willie Nelson, a celestial hymn to lost love. Fiona Apple and Maude Maggart, her sister, turn “I’m in the Middle of a Riddle,” an old novelty song, into a playful Latin American folk waltz on which their voices wrap gorgeously around each other.
Meanwhile, Brandi Carlile injects grit and a growl into “The Chain,” answering the never-asked question of what Fleetwood Mac would have sounded like in the ’70s with Bonnie Raitt at the helm. Beck puts a spectral spin on John Lennon’s “Love,” while Phosphorescent basks in the warm glow of Bob Dylan’s “Tomorrow Is a Long Time.”
The only clunker is Vampire Weekend’s take on “Time to Say Goodbye (Con te partirò),” sung in Italian to match Andrea Bocelli’s performance of the operatic pop song. It’s so straight-faced that it coaxes an unintentional laugh on an album otherwise full of heart and soul. (Out now)
ESSENTIAL “Fade Into You”